Jan 19, · Photography was finally made much more accesible. This was the beginning of years and years of artistic creativity, memories and a new era to a look into the past. This essay was written by a fellow student. You can use it as an example when writing your own essay or use it as a source, but you need cite blogger.comted Reading Time: 3 mins Nicéphore Niépce History of Photography Essay. Words4 Pages. The History of, and Impact of, Photography on our World. Photography is a process frequently used in areas of media, art, and science as well as practical everyday use. It is used to inform society of different issues, used to document a wide range of things and is used to capture everyday memories for the years to
History Of Photography Essay Example For Students - words | Artscolumbia
edu no longer supports Internet Explorer. To browse Academia. edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser. Log in with Facebook Log in with Google. Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link. Need an account? Click here to sign up. Download Free PDF. Catharina Graf. Download Download PDF Full PDF Package Download Full PDF Package This Paper. A short summary of this paper. Download Download PDF. Download Full PDF Package. Translate PDF. Today, photo essays are ubiquitous. But what led to their invention? The birth of the photo essay can easily be dated with the publication of LIFE magazine inwhere the term photo essay has been coined.
A comparison of the first issues of LIFE magazine and LOOK, which appeared a few weeks after LIFE has been successfully launched, sheds some light on what photo essays are — and why they have risen very quickly to take over the publishing world. Contents 1. Introduction 1 2. The birth of LIFE, November 3 3. LOOK, February 6 4. Catharina Graf, — info catharinagraf. Introduction Two technical innovations enabled photographs to enter the pages of the magazine: Halftone printing that made it possible to print photographs very accurately. And secondly, the hand-held camera and 35mm film, that made photography a ready-to-use tool to gather information quickly and everywhere.
But why did magazines need the photograph? The answer to this seems pretty clear, too: Images tend to reach a bigger audience than pure text because they are easily understood, can quickly be grasped even by people unable — or not wanting — to read. At the end of the 19th century, magazines in Germany and France started to use images in their publications, mainly to illustrate texts and catch the eye of the reader: The Berliner Illustrirte Zeitung BIZ founded in was one of the first magazines to consequently use images as an visual addition to their written content — first as single Illustrations of texts, around as a more autonomous form of communication.
They produced whole series of images with the text merely 'illustrating' the images. This editorial idea seemed to work: In1. World War II put an end to this very innovative time in European visual journalism. The BIZ continued to exist during the war as a tool for German propaganda, after the history of photography essay it ceased its weekly publication and was printed to accompany special events only. ii Instead, publishing houses in the USA began to dominate the world of visual journalism. In Novemberthe first issue of the weekly magazine LIFE was published, in February LOOK started to circulate twice a month. iii LIFE was founded after a planning phase of two years by media mogul Henry R. Luce, who owned © Dr. and thus the biggest and most influential newspapers and magazines in the U.
Together with editor-in-chief Daniel Longwell, they envisioned a magazine that used photography as their primary editorial tool. They hired Kurt Korff, former editor-in-chief of the BIZ who had emigrated to the U. inas advisor. Kurt Korff set the tone of the way the new magazine should be produced — and of the role photography should play in it, history of photography essay. The mind guided camera can do a much better job of reporting events than has been done. And, more than that, it can reveal to us far more explicitly the nature of the dynamic social world in which we live. But as part of a whole, as a tiny stone in the mosaic, it paints a bigger picture — one that shows rather than explains the invisible dynamics of the society we live in. Luce recognizes a new potential in photography, that goes beyond illustration.
People, Luce presumes — people want images they can absorb quickly and immediately — in the literal sense of the world: Without any other medium of explanation. The ability of photographs to inform is 'fascinating' — which goes beyond the mere information, but turns it into a sensation: Information combined with emotions and entertainment. In Novemberthe realization of Luce's journalistic vision began with the first issue of LIFE magazine. Vendors across the country reported selling all two hundred thousand issues available to them [ vi What did they see? The birth of LIFE, November The title page shows the image of the Columbia River Dam, pictured by Margaret Bourke-White.
A fascinating photograph of a spectacular structure, showcasing the technical and aesthetical skills Bourke-White's photography, history of photography essay. The Columbia River Dam was one of the largest projects of this kind of the U, history of photography essay. Building began inunder Franklin D. Roosevelt, and went on for nearly 10 years. The Columbia River Dam stands for technical progress and the ongoing growth of population in the USA. This image transports everything LIFE wants to be: Fascinating and capturing — and focusing on America's progress and achievements in politics, culture and engineering.
Inside the magazine, a very different kind of image is shown. The picture of a new-born baby right after birth, right after cutting the umbilical cord, the body preparing for its first cry, its first real © Dr. A moment of total shock, full of tension, a total accumulation of the spirit of life. On this page, the cooperation of text and image, that makes LIFE, is being shown: The text does not describe what's seen one the history of photography essay — the image does not and cannot have the viewpoint of the baby. Instead, the text embeds the snapshot into a story: The 'before' of pregnancy and birth, the 'after' of the cry, the breathing, life itself. Together, text and image form a sensational experience of the beginning of life — and the very obvious metaphor of the beginning of a new era with LIFE, history of photography essay, the magazine, is taken to a new level of understanding.
Photographer Margaret Bourke-White had been dispatched to history of photography essay Northwest to photograph the multi-million dollar projects of the Columbia River Basin. What the Editors history of photography essay — for use in some later issue — were construction pictures as only Bourke-White can take them. What the Editors got was a human document of American frontier life which, to them at least, was a revelation. The tale goes like this: They sent out a photographer famous for her architecture photography to document the Columbia River Basin. The photographer came back with pictures not of the building, but of the humans behind the building: The workers, history of photography essay, their families and their life.
The editors themselves had been taken by surprise by the abilities of photography to take them behind the scene of a major building site — to © Dr, history of photography essay. The tale the editors tell us might be true, and makes sure the reader takes the photographer as 'author' of the stories shown. In fact, LIFE operated history of photography essay regulated, with a structure designed history of photography essay Kurt Korff resulting from his experiences of the BIZ: The departmental editor chose the themes and stories, and edited the texts.
When he found a story, he had to write a script he passed on to the photo-assignment editor, who decided which photographer would be suitable to the job. After being briefed with the script, the photographers went out to shoot images that suited the expectations of their editors. After the shooting, the negative editors went through the hundreds of images the photographers came back with, to choose a first selection of about 40 images. After that, all the editors assigned to a story made a final selection of images. Together with the designers, these images had been laid out together with the text on the magazine's pages. As much as the photographers were being presented as autonomous forces behind the magazine, their names were mainly being used as a brand, a guarantee for high quality photographic journalism by known authorities such as Margaret Bourke-White.
viii Margaret Bourke-White's surprising photographs of the River Dam, around which the editors rank their editorial tale, are being published within the magazine. Text and image use the same easy-going tone, a fresh and honest language. The title is laid out between image and text, functioning both as image caption and text title and thus offering a visual interface from photography to text. The layout becomes more open as the essay goes on: The last page's image is diagonally cropped — to the effect that the reader's vantage point is behind the bar counter, talking to the tired workers, looking at the hollow eyes of the children spending their evening in a smoky bar.
Below, we see the sunken cheeks of a mother with her two sons at a laundry, the female family worker as a counterplay to the frivolous nighttime entertainment of their husbands. Between the images, the text describes the hard days of these mothers between work, household chores and education of their kids. An effective mosaic of images, text history of photography essay typography, to show the reader what it really means to build a history of photography essay From the spectacular technology to the workers, their women, even their children. What supposedly surprised the editors, and what they want the readers to grasp, is the fact that photography tells the story of real life behind numbers and politics of a billion-dollar project such as the Columbia Basin River Dam.
Life, history of photography essay, the magazine, history of photography essay, obviously wants to let their readers to live through information — to experience it. This is probably why the magazine is being called LIFE instead of the original SCOPE: Disguised as pure visual journalism — with the emphasis on the photographers as authors, the anonymous editors carefully use texts and typography to manipulate the meaning of history of photography essay images. LOOK, February In FebruaryLIFE's rival LOOK entered the market. It's concept was the same as LIFE's: To use photography as a tool for information, history of photography essay.
But already on the title page, the difference becomes clear: Whereas LIFE's first issue wants to fascinate with high-quality photography and focuses on political stories, LOOK wants to entertain — with picture stories. ON the title we find a portrait of Goering, © Dr. A very startling front page, even more so because Goering will not be mentioned again throughout the magazine. LOOK seems to focus on the single image and its potential. What LOOK wants for their readers, then, is to maximize information: More facts per picture, history of photography essay. It is the belief of the editors of LOOK that history of photography essay news today can best be told in well edited pictures — and not in long columns of type.
LOOK history of photography essay bring the current events [ O'Grady and their respective husbands and children to make the better informed on what's happening in the world. Where LIFE took the reader behind the scenes of the editorial department, LOOK wants to democratize information.
A Photographic History Episode 1
, time: 58:53History Of Photography Essay: How It Was And How It Is Now
Nicéphore Niépce The history of photography beginning starts in the early s. The British Humphry Davy and Thomas Wedgwood decided to put in the camera obscura a sheet of paper moistened with silver nitrate and sodium chloride solute History of Photography Essay. Words4 Pages. The History of, and Impact of, Photography on our World. Photography is a process frequently used in areas of media, art, and science as well as practical everyday use. It is used to inform society of different issues, used to document a wide range of things and is used to capture everyday memories for the years to
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